The Museum of Free Derry has temporarily removed its most controversial exhibit and Linda Nash and Helen Deery have brought their around-the-clock protest inside the museum to a close. All parties will meet again next week with a mediator to negotiate how to proceed when it comes to the exhibit that was created to remember the victims of the Troubles from Derry.
The newly revamped Museum of Free Derry has been mired in controversy since before its doors reopened. At issue is an exhibit that includes the names of all the people who were killed in the area during the Troubles. This seems harmless except that the names of British soldiers and police officers are also there, right alongside many innocent victims who were killed by those very same squads. The decision to include those names may seem reasonable from a purely educational viewpoint but the Museum underestimated the emotional response from locals who lost friends and family members during the conflict. For some of them, the inclusion of these government contingents is an affront to the memories of their loved ones and a blatant disregard for their own feelings and their continuing fight for answers and justice.
You can’t really be an Irish historian without studying at least a little bit about Bloody Sunday. Many have devoted their whole lives to what happened on that day, forty-five years ago. Many books have been written, movies and documentaries have been filmed and the controversy surrounding the massacre that occurred in Derry is still going strong. The families that were torn apart that fateful Sunday still relive it every day and they all have questions that still need answers. Until the day they finally get justice, I think it is their voices that need to be heard, not mine.
On the night of January 4th (or the wee hours of the 5th) in 1969 a potent Irish landmark was born in The Town I Love So Well. The place that has since been known as Free Derry Corner stands uniquely in between three different busy roadways in the Bogside area of Derry city. At the time of its christening Free Derry Corner was a row of occupied houses but they are long gone these days. All that remains now is the gable wall with its stark black and white message that is still as true as ever. It is a monument to the neighborhood, the residents who have lived and died there, and the struggles and complicated past of Derry.
The news out of Ireland this week has been insane – so much so that I haven’t even been able to decide which story to write about or how to keep up. There’s so much going on, and it kind of makes me want to put the entire region on a time out, just so I can catch up. In case you missed some, here are just a few of the things that have been interesting me, in the last seven days alone.
I arrived in Derry during a downpour, even though the sun was still peeking through the gathering storm clouds. By the end of the trip, I felt like the weather was a perfect metaphor for the city itself. Derry is rare. It is dark, but light pierces through it. It is grey but full of color. It is gathering and ready, but still and waiting. It is tragic and beautiful. Derry is a very special place.
It was an investigation that took twelve years and over £200m to complete. The Bloody Sunday inquiry, as it was originally called, produced over ten volumes of analysis and led to a comprehensive and glaring report by Lord Saville that was released five years ago today. It caused shockwaves throughout the North of Ireland and it forced the Prime Minister to make a formal and public apology for the actions of the British Army in Derry on one fateful Sunday in 1972.