The Museum of Free Derry has temporarily removed its most controversial exhibit and Linda Nash and Helen Deery have brought their around-the-clock protest inside the museum to a close. All parties will meet again next week with a mediator to negotiate how to proceed when it comes to the exhibit that was created to remember the victims of the Troubles from Derry.
The newly revamped Museum of Free Derry has been mired in controversy since before its doors reopened. At issue is an exhibit that includes the names of all the people who were killed in the area during the Troubles. This seems harmless except that the names of British soldiers and police officers are also there, right alongside many innocent victims who were killed by those very same squads. The decision to include those names may seem reasonable from a purely educational viewpoint but the Museum underestimated the emotional response from locals who lost friends and family members during the conflict. For some of them, the inclusion of these government contingents is an affront to the memories of their loved ones and a blatant disregard for their own feelings and their continuing fight for answers and justice.
The North of Ireland is a complicated place – especially in July. Every year makeshift towers of debris, old tires, and wooden pallets reach higher and higher into the sky. They are decorated with sectarian slogans, political effigies, Irish flags (or Ivory Coast ones, since some can’t tell the difference between the two), and serious threats against Catholics, opposing politicians, Irish men and women, minorities, and the gay community. These dangerous displays are what they call culture this time of year and they are a horrifying example of the division that continues to exist in the North.
On this day in 2013 Margaret Thatcher died. I can’t very well write about Irish history without acknowledging her passage, so there it is. I always try to write passionate and fair pieces and I choose my subjects with that in mind which is why I will skip anything more about her at this time. Perhaps there will come a day when I can actually write about her without getting angry, biased, and opinionated, but today is not that day so I’ll let these photos I’ve snapped throughout the North of Ireland speak for me. They’re worth at least a thousand words anyway.
“Our revenge will be the laughter of our children” – Bobby Sands
Humans are animals. It’s not something we like to admit, but it is true. Our animalistic instincts come out when we are hurting and angry, when we need to protect ourselves or our loved ones, or when we are desperate and afraid. Over time we learn to control them, not letting that dark side rear its ugly head just because our toy was taken away at the playground and if we’re lucky that animal fades into the background of our minds, never needing to come out.
When James Martin Pacelli McGuinness was growing up in Derry a lot was wrong in his world. The boy who would come to be known as Martin was partially named after a pope in a society that was violently sectarian and discriminatory against Catholic communities like his. He saw things most of us thankfully never will. War raged in the streets as he grew up. He witnessed friends being mowed down by soldiers without consequence. He saw authorities break the law over and over without punishment. That animal inside him grew and raged, like many others in the region and Martin found his way into the Irish Republican Army at a relatively young age. He stayed for a heavily disputed amount of time. Let’s just call it many years.
You can’t really be an Irish historian without studying at least a little bit about Bloody Sunday. Many have devoted their whole lives to what happened on that day, forty-five years ago. Many books have been written, movies and documentaries have been filmed and the controversy surrounding the massacre that occurred in Derry is still going strong. The families that were torn apart that fateful Sunday still relive it every day and they all have questions that still need answers. Until the day they finally get justice, I think it is their voices that need to be heard, not mine.
On the night of January 4th (or the wee hours of the 5th) in 1969 a potent Irish landmark was born in The Town I Love So Well. The place that has since been known as Free Derry Corner stands uniquely in between three different busy roadways in the Bogside area of Derry city. At the time of its christening Free Derry Corner was a row of occupied houses but they are long gone these days. All that remains now is the gable wall with its stark black and white message that is still as true as ever. It is a monument to the neighborhood, the residents who have lived and died there, and the struggles and complicated past of Derry.